blog - 201109のエントリ
SMC2012の案内です。
9th Sound and Music Computing Conference, 12-14 July 2012
Medialogy section, Department of Architecture, Design and Media Technology, Aalborg University Copenhagen
http://smc2012.smcnetwork.org/
The SMC Conference is the forum for international exchanges around the core interdisciplinary topics of Sound and Music Computing, and features workshops, lectures, posters, demos, concerts, sound installations, and satellite events. The SMC Summer School, which takes place just before the conference, aims at giving young researchers the opportunity to interactively learn about core topics in this interdisciplinary field from experts, and to build a network of international contacts.
The specific theme of SMC 2012 is "Illusions", and that of the SMC Summer School is "Multimodality".
================Important dates=================
Deadline for submissions of music and sound installations: Friday, February 3, 2012
Deadline for paper submissions: Monday 2 April, 2012
Notification of music acceptances: Friday, March 16, 2012
Deadline for applications to the Summer School: Friday March 30, 2012
Notification of acceptance to Summer School: Monday April 16, 2012
Deadline for submission of final music and sound installation materials: Friday, April 27, 2012
Notification of paper acceptances: Wednesday 2 May, 2012
Deadline for submission of camera-ready papers: Monday 4 June, 2012
SMC Summer School: Sunday 8 ? Wednesday morning 11 July, 2012
SMC Workshops: Wednesday afternoon 11 July, 2012
SMC 2011: Thursday 12 ? Saturday 14 July, 2012
===========================================
SMC2012 will cover topics that lie at the core of the Sound and Music Computing research and creative exploration.
We broadly group these into:
- processing sound and music data
- modeling and understanding sound and music data
- interfaces for sound and music creation
-music creation and performance with established and novel hardware and software technologies
================Call for papers==================
SMC 2012 will include paper presentations as both lectures and poster/demos. We invite submissions examining all the core areas of the Sound and Music Computing field. Submission related to the theme "Illusions" are especially encouraged.
All submissions will be peer-reviewed according to their novelty, technical content, presentation, and contribution to the overall balance of topics represented at the conference. Paper submissions should have a maximum of 8 pages including figures and references, and a length of 6 pages is strongly encouraged. Accepted papers will be designated to be presented either as posters/demos or as lectures. More details are available at http://smc2012.smcnetwork.org/
===========================================
================Call for music works and sound installations==================
SMC 2012 will include four curated concerts addressing the conference topic "Illusions". We invite submissions of original compositions created for acoustic instruments and electronics, novel instruments and interfaces, music robots, and speakers as sound objects. Submissions of sound installation are also encouraged. See curatorial statements and call specifics at: http://smc2012.smcnetwork.org.
==============================================================
9th Sound and Music Computing Conference, 12-14 July 2012
Medialogy section, Department of Architecture, Design and Media Technology, Aalborg University Copenhagen
http://smc2012.smcnetwork.org/
The SMC Conference is the forum for international exchanges around the core interdisciplinary topics of Sound and Music Computing, and features workshops, lectures, posters, demos, concerts, sound installations, and satellite events. The SMC Summer School, which takes place just before the conference, aims at giving young researchers the opportunity to interactively learn about core topics in this interdisciplinary field from experts, and to build a network of international contacts.
The specific theme of SMC 2012 is "Illusions", and that of the SMC Summer School is "Multimodality".
================Important dates=================
Deadline for submissions of music and sound installations: Friday, February 3, 2012
Deadline for paper submissions: Monday 2 April, 2012
Notification of music acceptances: Friday, March 16, 2012
Deadline for applications to the Summer School: Friday March 30, 2012
Notification of acceptance to Summer School: Monday April 16, 2012
Deadline for submission of final music and sound installation materials: Friday, April 27, 2012
Notification of paper acceptances: Wednesday 2 May, 2012
Deadline for submission of camera-ready papers: Monday 4 June, 2012
SMC Summer School: Sunday 8 ? Wednesday morning 11 July, 2012
SMC Workshops: Wednesday afternoon 11 July, 2012
SMC 2011: Thursday 12 ? Saturday 14 July, 2012
===========================================
SMC2012 will cover topics that lie at the core of the Sound and Music Computing research and creative exploration.
We broadly group these into:
- processing sound and music data
- modeling and understanding sound and music data
- interfaces for sound and music creation
-music creation and performance with established and novel hardware and software technologies
================Call for papers==================
SMC 2012 will include paper presentations as both lectures and poster/demos. We invite submissions examining all the core areas of the Sound and Music Computing field. Submission related to the theme "Illusions" are especially encouraged.
All submissions will be peer-reviewed according to their novelty, technical content, presentation, and contribution to the overall balance of topics represented at the conference. Paper submissions should have a maximum of 8 pages including figures and references, and a length of 6 pages is strongly encouraged. Accepted papers will be designated to be presented either as posters/demos or as lectures. More details are available at http://smc2012.smcnetwork.org/
===========================================
================Call for music works and sound installations==================
SMC 2012 will include four curated concerts addressing the conference topic "Illusions". We invite submissions of original compositions created for acoustic instruments and electronics, novel instruments and interfaces, music robots, and speakers as sound objects. Submissions of sound installation are also encouraged. See curatorial statements and call specifics at: http://smc2012.smcnetwork.org.
==============================================================
第10回のJSSA(先端芸術音楽創作学会)研究会が、9/25(日)に首都大東京 日野キャンパスで開催されます。
スウェデンのヨーテボリIT大の作曲家／研究者Palle Dahlstedt氏のレクチャーコンサートが企画されています。
( http://www.init.ituniv.se/~palle/pmwiki/pmwiki.php )
詳細は以下の通り。
http://www.jssa.info/doku.php
--------------------------
第10回 JSSA研究会
日時 2011年9月25日（日）13時～
会場: 首都大学東京 日野キャンパス 2号館2階A講堂
アクセス: 中央線八王子駅より一つ東側の豊田駅
http://www.sd.tmu.ac.jp/campusmap/access.html
http://www.sd.tmu.ac.jp/campusmap/location.html
世話人：安藤大地
13:00 集合とアナウンス
13:10-13:55「2011夏の国際会議参加報告 SMCとPd-conを中心に」
寺澤洋子（筑波大学），松村誠一郎（東京工科大学）
概要：音楽系の国際会議をレビューし、わが国ではまだ認知度の低いSMC（Sound and Music Computing）とPd-con（Pure Data Convention）を紹介する。
14:00-15:00「PocoPoco - 視覚的、触覚的にユーザにアプローチできる演奏インタフェースとそのパフォーマンス」
鈴木龍彦，金井隆晴，菊川裕也，馬場哲晃，串山久美子（首都大学東京）
15:00－15:30 休憩
15:30-17:30 Palle Dahlstedt （Sweden, IT University of Gothenburg）
レクチャーコンサート
Abstract
In my art and my research I concerntrate on two things - to understand the mechanisms of artistic creative process, and to develope more intuitive performance instruments for improvisation of electronic music. The purpose of understanding artistic creativity is to be able to evoke creative behavior in computers, and allow computers to actively participate in the making of art and music. In my lecture I will tell a little about my work in this field.
My work on performance instruments is motivated by the need for extreme freedom and agility while improvising together with other musicians. To solve this I have developed a new kind of mapping from control interfaces to synthesis, allowing fingertip control over a large number of continuous parameters, while being very easy to implement. Specifically made for improvisation, they allow a kind of control over sound that was previously only possible in acoustic instruments, and a we have developed a whole family of instruments around these mappings. In the lecture/concert, I will demonstrate a few different versions of these instruments, including one using pencil markings on paper as a gestural interface for analogue synthesis.
Biography
Palle Dahlstedt is a composer, pianist, improviser and researcher from Sweden. Musically he spans from free improvisation and noise electronics to interactive computer music and orchestral music, always driven by curiosity and high energy. As associate professor in computer-aided creativity and main lecturer in electronic music at the University of Gothenburg, Sweden, he specializes in developing new ways of improvising on analog and digital electronics, and making computers become creative on their own. His music has been awarded several international prizes (e.g., Gaudeamus Prize 2001), and has been performed all over the world.
スウェデンのヨーテボリIT大の作曲家／研究者Palle Dahlstedt氏のレクチャーコンサートが企画されています。
( http://www.init.ituniv.se/~palle/pmwiki/pmwiki.php )
詳細は以下の通り。
http://www.jssa.info/doku.php
--------------------------
第10回 JSSA研究会
日時 2011年9月25日（日）13時～
会場: 首都大学東京 日野キャンパス 2号館2階A講堂
アクセス: 中央線八王子駅より一つ東側の豊田駅
http://www.sd.tmu.ac.jp/campusmap/access.html
http://www.sd.tmu.ac.jp/campusmap/location.html
世話人：安藤大地
13:00 集合とアナウンス
13:10-13:55「2011夏の国際会議参加報告 SMCとPd-conを中心に」
寺澤洋子（筑波大学），松村誠一郎（東京工科大学）
概要：音楽系の国際会議をレビューし、わが国ではまだ認知度の低いSMC（Sound and Music Computing）とPd-con（Pure Data Convention）を紹介する。
14:00-15:00「PocoPoco - 視覚的、触覚的にユーザにアプローチできる演奏インタフェースとそのパフォーマンス」
鈴木龍彦，金井隆晴，菊川裕也，馬場哲晃，串山久美子（首都大学東京）
15:00－15:30 休憩
15:30-17:30 Palle Dahlstedt （Sweden, IT University of Gothenburg）
レクチャーコンサート
Abstract
In my art and my research I concerntrate on two things - to understand the mechanisms of artistic creative process, and to develope more intuitive performance instruments for improvisation of electronic music. The purpose of understanding artistic creativity is to be able to evoke creative behavior in computers, and allow computers to actively participate in the making of art and music. In my lecture I will tell a little about my work in this field.
My work on performance instruments is motivated by the need for extreme freedom and agility while improvising together with other musicians. To solve this I have developed a new kind of mapping from control interfaces to synthesis, allowing fingertip control over a large number of continuous parameters, while being very easy to implement. Specifically made for improvisation, they allow a kind of control over sound that was previously only possible in acoustic instruments, and a we have developed a whole family of instruments around these mappings. In the lecture/concert, I will demonstrate a few different versions of these instruments, including one using pencil markings on paper as a gestural interface for analogue synthesis.
Biography
Palle Dahlstedt is a composer, pianist, improviser and researcher from Sweden. Musically he spans from free improvisation and noise electronics to interactive computer music and orchestral music, always driven by curiosity and high energy. As associate professor in computer-aided creativity and main lecturer in electronic music at the University of Gothenburg, Sweden, he specializes in developing new ways of improvising on analog and digital electronics, and making computers become creative on their own. His music has been awarded several international prizes (e.g., Gaudeamus Prize 2001), and has been performed all over the world.
NIME2012のCall for paperが来ました。
開催日が、 21 - 23 May, 2012 ということで、例年より早めです。
場所は、the University of Michigan in Ann Arbor です。
以下、抜粋。
On behalf of the NIME 2012 Committee, we would like to invite you to be part of the 12th international conference on New Interfaces for Musical Expression conference, organized by the University of Michigan in Ann Arbor, USA.
The conference web-site can be found at:
http://www.eecs.umich.edu/nime2012
We invite submission of new works in the following categories:
* Paper (oral/poster/demo)
* Performance
* Installation
* Workshop
IMPORTANT DATES
* Paper/performance/installation/workshop submission: 31 January 2012
* Review notification: 16 March 2012
* Final paper deadline: 20 April 2012
開催日が、 21 - 23 May, 2012 ということで、例年より早めです。
場所は、the University of Michigan in Ann Arbor です。
以下、抜粋。
On behalf of the NIME 2012 Committee, we would like to invite you to be part of the 12th international conference on New Interfaces for Musical Expression conference, organized by the University of Michigan in Ann Arbor, USA.
The conference web-site can be found at:
http://www.eecs.umich.edu/nime2012
We invite submission of new works in the following categories:
* Paper (oral/poster/demo)
* Performance
* Installation
* Workshop
IMPORTANT DATES
* Paper/performance/installation/workshop submission: 31 January 2012
* Review notification: 16 March 2012
* Final paper deadline: 20 April 2012
ドイツ発の音楽の発信、共有、視聴のプラットフォームが面白そう。
http://soundcloud.com/
特徴をざっと挙げてみると。。。
・アップロードした楽曲のアクセスが自由にコントロールできる。
・曲中にコメントを投稿できる。（ニコ動のように）
・SNSとしての機能も充実している。
・強力な検索機能がある。
・埋め込みプレイヤーがある。
・クリエイティブコモンズなどフリーの楽曲を大量にブラウズできる。
http://soundcloud.com/
特徴をざっと挙げてみると。。。
・アップロードした楽曲のアクセスが自由にコントロールできる。
・曲中にコメントを投稿できる。（ニコ動のように）
・SNSとしての機能も充実している。
・強力な検索機能がある。
・埋め込みプレイヤーがある。
・クリエイティブコモンズなどフリーの楽曲を大量にブラウズできる。