blog - 第10回JSSA(先端芸術音楽創作学会)研究会
第10回のJSSA(先端芸術音楽創作学会)研究会が、9/25(日)に首都大東京 日野キャンパスで開催されます。
スウェデンのヨーテボリIT大の作曲家／研究者Palle Dahlstedt氏のレクチャーコンサートが企画されています。
( http://www.init.ituniv.se/~palle/pmwiki/pmwiki.php )
詳細は以下の通り。
http://www.jssa.info/doku.php
--------------------------
第10回 JSSA研究会
日時 2011年9月25日（日）13時～
会場: 首都大学東京 日野キャンパス 2号館2階A講堂
アクセス: 中央線八王子駅より一つ東側の豊田駅
http://www.sd.tmu.ac.jp/campusmap/access.html
http://www.sd.tmu.ac.jp/campusmap/location.html
世話人：安藤大地
13:00 集合とアナウンス
13:10-13:55「2011夏の国際会議参加報告 SMCとPd-conを中心に」
寺澤洋子（筑波大学），松村誠一郎（東京工科大学）
概要：音楽系の国際会議をレビューし、わが国ではまだ認知度の低いSMC（Sound and Music Computing）とPd-con（Pure Data Convention）を紹介する。
14:00-15:00「PocoPoco - 視覚的、触覚的にユーザにアプローチできる演奏インタフェースとそのパフォーマンス」
鈴木龍彦，金井隆晴，菊川裕也，馬場哲晃，串山久美子（首都大学東京）
15:00－15:30 休憩
15:30-17:30 Palle Dahlstedt （Sweden, IT University of Gothenburg）
レクチャーコンサート
Abstract
In my art and my research I concerntrate on two things - to understand the mechanisms of artistic creative process, and to develope more intuitive performance instruments for improvisation of electronic music. The purpose of understanding artistic creativity is to be able to evoke creative behavior in computers, and allow computers to actively participate in the making of art and music. In my lecture I will tell a little about my work in this field.
My work on performance instruments is motivated by the need for extreme freedom and agility while improvising together with other musicians. To solve this I have developed a new kind of mapping from control interfaces to synthesis, allowing fingertip control over a large number of continuous parameters, while being very easy to implement. Specifically made for improvisation, they allow a kind of control over sound that was previously only possible in acoustic instruments, and a we have developed a whole family of instruments around these mappings. In the lecture/concert, I will demonstrate a few different versions of these instruments, including one using pencil markings on paper as a gestural interface for analogue synthesis.
Biography
Palle Dahlstedt is a composer, pianist, improviser and researcher from Sweden. Musically he spans from free improvisation and noise electronics to interactive computer music and orchestral music, always driven by curiosity and high energy. As associate professor in computer-aided creativity and main lecturer in electronic music at the University of Gothenburg, Sweden, he specializes in developing new ways of improvising on analog and digital electronics, and making computers become creative on their own. His music has been awarded several international prizes (e.g., Gaudeamus Prize 2001), and has been performed all over the world.
スウェデンのヨーテボリIT大の作曲家／研究者Palle Dahlstedt氏のレクチャーコンサートが企画されています。
( http://www.init.ituniv.se/~palle/pmwiki/pmwiki.php )
詳細は以下の通り。
http://www.jssa.info/doku.php
--------------------------
第10回 JSSA研究会
日時 2011年9月25日（日）13時～
会場: 首都大学東京 日野キャンパス 2号館2階A講堂
アクセス: 中央線八王子駅より一つ東側の豊田駅
http://www.sd.tmu.ac.jp/campusmap/access.html
http://www.sd.tmu.ac.jp/campusmap/location.html
世話人：安藤大地
13:00 集合とアナウンス
13:10-13:55「2011夏の国際会議参加報告 SMCとPd-conを中心に」
寺澤洋子（筑波大学），松村誠一郎（東京工科大学）
概要：音楽系の国際会議をレビューし、わが国ではまだ認知度の低いSMC（Sound and Music Computing）とPd-con（Pure Data Convention）を紹介する。
14:00-15:00「PocoPoco - 視覚的、触覚的にユーザにアプローチできる演奏インタフェースとそのパフォーマンス」
鈴木龍彦，金井隆晴，菊川裕也，馬場哲晃，串山久美子（首都大学東京）
15:00－15:30 休憩
15:30-17:30 Palle Dahlstedt （Sweden, IT University of Gothenburg）
レクチャーコンサート
Abstract
In my art and my research I concerntrate on two things - to understand the mechanisms of artistic creative process, and to develope more intuitive performance instruments for improvisation of electronic music. The purpose of understanding artistic creativity is to be able to evoke creative behavior in computers, and allow computers to actively participate in the making of art and music. In my lecture I will tell a little about my work in this field.
My work on performance instruments is motivated by the need for extreme freedom and agility while improvising together with other musicians. To solve this I have developed a new kind of mapping from control interfaces to synthesis, allowing fingertip control over a large number of continuous parameters, while being very easy to implement. Specifically made for improvisation, they allow a kind of control over sound that was previously only possible in acoustic instruments, and a we have developed a whole family of instruments around these mappings. In the lecture/concert, I will demonstrate a few different versions of these instruments, including one using pencil markings on paper as a gestural interface for analogue synthesis.
Biography
Palle Dahlstedt is a composer, pianist, improviser and researcher from Sweden. Musically he spans from free improvisation and noise electronics to interactive computer music and orchestral music, always driven by curiosity and high energy. As associate professor in computer-aided creativity and main lecturer in electronic music at the University of Gothenburg, Sweden, he specializes in developing new ways of improvising on analog and digital electronics, and making computers become creative on their own. His music has been awarded several international prizes (e.g., Gaudeamus Prize 2001), and has been performed all over the world.